Poetry and Painting

Analysis on the Relationship between poesy & Painting An analysis on the relationship between song and motion picture Lope De Vega, in cardinal of his sonnets, refers to two famous contemporaries in a striking way he calls the Italian poet Marino a great jaguar for the ears and the Flemish lynx Rubens a great poet for the eyes. Six atomic number 6 year and 6000 miles away, a similar concept occurs in a parallel situation. The Chinese poet Su Shi, in one of his metrical compositions, praises two men, one a poet and the other a painter Tu Fus poems argon figureless paintings, Han Kans paintings are wordless poems.In both poems, a very special relationship is established between rime and painting. They are considered parallel and comparable more than than that, they take each others place. A proportional treatment of the same phenomenon in two widely seperated and obviously unrelated literatures may bring divulge siginificant opposites as well as integritions. Actually, the conversation between poetry and painting has been through centuries, traced back to sixth century until now, different people have different opinions.For Plato, poets and painters are both imitators and their work a third-generation distant from the truth. For Aristotle, The poet being an imitator just standardized the painter or other maker of likenesses, he mustiness necessarily in all instances represent things in one or other of three aspects, each as they were or are, or as they are said or thought to be or to have been, or as they ought to be. More than five hundred years ago Leonardo da Vinci entered into a stinging debate with a bunch of pompous poets who degraded painting as a mechanical machination.Defending the primacy of art, Leonardopainter, architect, scientist, and a genius of high Renaissancesnapped If you call painting black poetry the painter may call poetry blind painting. He argued that a good painter can provide a more intelligible and beautiful sense ex perience than a poet because painting satisfies the eye whereas poetry appeals to the ear and seeing is superior to hearing. In the 18th century the playwright and philosopher Gotthold Lessing describe the intrinsic difference between ainting and poetry in terms of the distinction between image and word. He rejected the ancient belief that these two arts are in fact similar, or as the Roman poet Horace put it Ut pictura poesis (painting is like poetry). Lessing also pointed out that the domain of painting is space composition the domain of poetry is time. In my opinion, transfering a poem contractly to another form is quite an out of the question task because of the unique nature of every vernacular and their peticular idioms. And on the other hand, painting as an art form is unique as well.It can portray astonishingly beautiful or ugly people, or show breathtakingly magnificent or depressingly dull landscapes and still lives and other visual phenomenon, which defy exact verbal d escription. Generally speaking, objects of the visual world can be represented in painting more accurately than in words. However, poetry has the upper hand in describing emotional states and mental events. A proportion of these two art forms reveals that in many ways both poetry and painting resist conversion, and they mutually defy transference into each other.However, despite their irreconcilable differences, painting and poetry share many ballpark attibutes. With the development of literature and enlargement of understanding about this world, we have to acknowldge the integration of poetry and painting as well. Through five thousand years of continuous civilization, Chinese art has developed a well-fixed language of symbols. By the second century the image of falling leaves, for instance, had become a metaphor for turbulent times in which great talent was cast aside and unjustly punished with exile. Magnificent flowers frequently symbolize beautiful ladies.Rising above a l ake they may represent fairies with red hair spins walk of life above the water and one single lotus flower in the Hua Qing Pool is like the entire world. In spite of its fragmentary posture western culture has produced great artists excelling in different branches of art. Among painters and poets the oeuvre of such artists as Michelangelo, Goethe, William Blake, Apollinaire and Picasso shows the unity of painting and poetry. As the proverb goes, there is a poem painting, painting in poetry. A successful poem, in my perspective, is the one with a relative aesthetical painting in our mind when we read it.That is what we called in Chinese Yi Jing. For example, a famous poem in China Shi Zhi Sai Shang written by Wang Wei, which gives us a picturesque painting in our mind instantly the desolation and broadness of a frontier fortress, a puff of smoke and the setting sunIn terms of painting, painter integrates with poetic beauty. In Song dynasty, the task for getting a professional pai nter certification required examine to draw a painting according to a piece of poem. Poetry enters the painting, bringing the creativity into the painting. Even the limit of time can also be overcome.In conclusion, although poetry and painting have some differences, they both are important literature forms, we pay more direction to what they bring to us. In my vision painting and poetry invite us to step into a deeper aim of reality that lies under the peel of surface appearances. The creativity power of art can play a significant role in ameliorating the human human condition, in making the planet a habitable and welcoming environment for ourselves and for future generations. Without concern, responsibility, care, compassion and love we cannot survive.