Carpets: Mass Production vs Handmade Essay -- carpet manufacturing tec

Introduction:- Civilization has brought tremendous changes in the life of human beings. All things are changing day by day through the efforts of scientific researches. Among these textiles are good example.. a dictionary definition of the noun 'textile' is a woven fabric and d defination of the verb 'to wave' is 'to make by crossing threads, strands, strips etc, above and below one another, as in a loom to form cloth'.(sheila landi1998,-10-11). Textile are remarkable and exist in many forms. they can be made from a wide range of fibers including: cotton , flax, wool, silk, acrylic and polyester. the process involved in making textiles from these fibers are diverse e.g: spinning , weaving, braiding , knotting , embroidery , dying and printing(foekje boersma 2007). The Textile industry is one of the oldest, largest and most global industries in the world. It is the typical ‘starter’ industry for countries engaged in export-orientated industrialisation (Gereffi 2002) and is labour-intensive. Brenton et al. (2007) suggest a number of reasons why the Textile sector has played such an important role in economic development. The sector absorbs large numbers of unskilled labour, typically drawing them from rural agricultural households to rural locations. Despite relatively low start-up investment costs, expansion of the sector provides a base upon which to build capital for more technologically demanding activities in other sectors. Throughout ancient times, textile manufacture was practiced on all levels of society and was one of the most labour-intensive of all occupations. As such, it was an industry of great cultural and social importance and should be factored into any balanced assessment of the ancient economy. Ov... ...ort Diversification: still a route to growth for low income countries? World Bank Policy Research Working Paper 4343 Barber, Elizabeth J. Wayland 1991. Prehistoric Textiles. The Development of Cloth in the "eolithic and Bronze Ages. Princeton: Princeton University Press. 1999. The Mummies of ÃÅ"rà ¼mchi. New York: W.W. Norton and Company, Inc. Good, Irene 1998. â€Å"Bronze Age cloth and clothing of the Tarim Basin: the Chà ¤rchà ¤n evidence†. In V. Mair (ed.), The Bronze Age and Early Iron Age People of Eastern Central Asia, Washington, DC, 656-668. 1999. The Ecology of Exchange: Textiles from Shahr-I Sokhta, Eastern Iran. Ph.D. diss., University of Pennsylvania. 2001. â€Å"Archaeological Textiles: A Review of Current Research†. Annual Review of Anthropology 30, 209-226 Và ¶lling, Elisabeth 2008. Textiltechnik im Alten Orient: Rohstoffe und Herstellung. Wurzburg.

Prejudice and Racism in Heart of Darkness? Essay -- HOD Joseph Conrad

Heart of Darkness: Racist or not? Â   Many critics, including Chinua Achebe in his essay "An Image of Africa: Racism in Conrad's Heart of Darkness", have made the claim that Joseph Conrad's novel Heart of Darkness, despite the insights which it offers into the human condition, ought to be removed from the canon of Western literature. This claim is based on the supposition that the novel is racist, more so than other novels of its time. While it can be read in this way, it is possible to look under the surface and create an interpretation of Conrad's novel that does not require the supposition of extreme racism on the part of Conrad. Furthermore, we must keep in mind that Conrad was a product of a rather racist period in history, and it seems unfair to penalize him for not being able to transcend his contemporaries in this respect. Â   This novel, it seems, must be read in a symbolic manner. Objects and characters are not so simple as they seem. Achebe tells us: "Quite simply it is the desire... in Western psychology to set Africa up as a foil to Europe, as a place of negations at once remote and vaguely familiar, in comparison with which Europe's own state of spiritual grace will be manifest" (251-252). If Africa is a foil to Europe, as stated here, then perhaps Conrad only uses the continent of Africa symbolically, without regard to its people - as Achebe himself states, descriptions of Africans as anything more than vague limbs in the darkness are few and far between in the novel. The opposition between light and darkness in the novel, far from being Conrad's own, is traditional in Western literature. Conrad simply uses the most familiar of symbols for the dichotomy between good and evil to enhance his novel's psycho... .... One might also argue that while Marlow is racist, Conrad is not - something like the scenario in another famous river novel, Twain's The Adventures of Huckleberry Finn. However, I reject this claim - Marlow does the vast majority of the speaking in this novel, and so the reader identifies him as the novel's narrative voice even though there is, strictly speaking, a frame story outside of this. Â   Finally, even if Conrad was more racist than other authors of his time, why is this so significant? The novel is still valuable as an object of art, for the psychological insights it offers both into the human condition at large and into the motivations of European imperialism and colonization. A novel such as this should not be removed from the canon on the simple basis of its offensive potential. All great literature must have at least the potential to offend.

Romanticism and Realism

Romanticism and Realism Romanticism: [pic] Francisco De Goya. â€Å"The Third of May 1808† Oil on Canvas – Imagination and emotion are more valuable than reason. The romantics championed the struggle for human liberty. They celebrated nature, rural life, common people, exotic subjects in art and literature. – Era: Industrial and French Revolutions – Technique: Dramatic scenes of nature or man and ideal landscapes. – Artists: Goya, Delacroix, Constable, Duncauson Realism: [pic] Gustave Courbet. â€Å"The Stone Breakers† Oil on Canvas Art should deal with human experience through observation, without exocticism, nostalgia or idealism. It offered the painter and the viewer humanity and insight into everyday world. †¢ Era: Industrial and French Rev †¢ Technique: Almost photographic and always portraying the dignity of ordinary people. †¢ Artists: Courbet, Bonheur, Eakins, Tanner, Daumier Impressionism and Expressionism Impressionis m: [pic] Claud Monet. â€Å"Impression: Sunrise† Oil on Canvas †¢ Concern themselves with visual issues. They paint what the eye sees rather than what the mind knows. The effects of light on a subject is emphasized. †¢ Era: Development of camera †¢ Tech: Small dabs of color that appears as separate strokes of paint when seen close up. Yet with distance, one sees uniform subjects. †¢ Artists: Money, Renoir, Cassatt, Morisst Expressionism: [pic] Ernst Ludwig Kirchner. â€Å"Street, Berlin† Oil on Canvas †¢ General term for art that emphasizes inner feelings and emotions over subject depiction such as: sorrow, passion, spiritual and mysticism. †¢ Era: 1910-34 World War I †¢ Tech: Emphasis on color intensity as a means to express a mood. Artists: Kirchner, Kandinsky, Nolde, Kollowitz Surrealism and Cubism Surrealism: [pic]Joan Miro. â€Å"Woman Haunted by the Passage of the Dragonfly, Bird of Bad Omen† Oil on Canvas †¢ The belief that the unconscious mind is a higher reality than the conscious mind. The painters/ artists goal was to make visible the imagery of the unconscious. †¢ Era: 1920-40 (Sigm und Freud, manuscript was published) †¢ Tech: dreamlike imagery affected by color was most important to the work. †¢ Artists: Dale, Miro, Magritte, Kahlo Cubism: [pic] Pablo Picasso. Les Demoiselles D’avignon† Oil on Canvas †¢ Reconstruction of objects based on geometric shapes †¢ Era: a mechanized world. Industry simplified forms †¢ Tech: simplified surfaces and shapes; Fractured angular figures or landscapes †¢ Artists: Picasso and Braque Abstract Expressionism and Pop Art Abstract Expressionism: [pic] Jackson Pollock. â€Å"Autumn Rhythm† Oil on Canvas †¢ Artists expressed in their work a balance between spontaneity andformal structure. Individual expression is emphasized. †¢ Era: 1948-65 America after WWII Tech: use of color to influence mood and the energy of the artist is prominent. †¢ Artists: De Kooning, Pollock, Rothko Pop Art: [pic] Roy Lichtenstein. â€Å"Drowning Girl† Oil on synthetic polymer paint on canvas. †¢ Deals with commercially driven â€Å"mass culture†. Commercial art is the inspiration for pop art. †¢ Era: flower generation †¢ Tech: artists created cool mechanical images using photographic screen printing and airbrush tech to achieve the look of advertising imagery but used it on canvas. †¢ Artists: Warhol, Hamilton, Lichtenstein, Rosenquist. Romanticism and Realism Romanticism and Realism Romanticism is the idealism for a better world. Writers believe that they can portray their beliefs and emotions though their writing. They hoped that this would encourage the people of the world to become something more than what they are now. They valued the human imagination and imposed emphasis on individual freedom and political restraints. They also had a great interest in the middle ages. The emphases on emotion lead to Dark Romanticism such as the poetry by Edgar Allan Poe.Poe wrote with extreme emotion about death and the loss. While realism s more about the attempt to represent events and social conditions as they are. There is no idealization of events instead writers attempt to be as factual as possible. Writers of this form of literature stress reality over fantasy. They value the attention to detail and an effort to recreate the true nature of reality. This is the reason that most realist literature is written according to the time period of the writer.It is not to say that what realist writes is a true story exactly but rather it is to convey what is happening in the world at that moment in time. They write about the hardship and the malice with no sugarcoating of events but rather the brutal truth. The individual is an important aspect in the writing of romanticism. The writers view the individual as an important part of society. They reject authority and look to have self reliance. There is no need to have society accept them in order to have the life that they want.Emerson wrote â€Å"Great man is he who in the midst of the crowd keeps with perfect sweetness the independence of solitude† giving credence that social acceptance is not needed (Emerson 578). While in realism the individual idealism is not as important as the realistic portrayal of the individual and the society. Realistic writers write about how self reliance is portrayed in society. Whether it is oppressed or whether it was achieved. Chopin writes a bout self reliance as an aspect that the American women at the time have not been able to achieve to its fullest.Instead self-reliance is something that eludes women due to the social hierarchy that has been established for centuries. In both romanticism and realism pride is a preemptor to the loss of whatever good is one's life. In while in romanticism this is portrayed with exaggeration of potions ND death in â€Å"The Birthmark† by Nathaniel Hawthorne. Realist writers such as Chopin use real situations of slave owners and the issue of race in their lives.Government and politics has been a subject in literature for a long time. In realism it is the description of the governments and the actions taken by them. It is about the truth of what that the political machine has done to the world. There is no idealism as there is in Romanticism. Politics in romanticist writing is about the hope for a better society. Their way of achieving this betterment is also a part of the romanti cism in the literature. GOD By hoosegow

If with conditional clause

If with conditional clause If with conditional clause If with conditional clause By Guest Author This is a guest post by Yvonne Canchola. If you want to write for Daily Writing Tips check the guidelines here. The tiny word â€Å"if† sets many, many language traps for the hasty. Consider this note: â€Å"If you happen to be in the area, we will be at Meehan’s Ale House. So stop on by.† Nice to be invited and welcome, isn’t it? But wait! I think this must be a magical reunion: telepathically- or by owl post, my friends will know that, by happenstance, I am indeed close by, and instantly they convene in the place we agreed upon. So really I have no need to RSVP, because somehow they will know, and the gathering will already be in place when I find time to make my appearance. Of course, my friends’ trip to the pub is not conditional upon my whereabouts, but that is what the use of if suggests. The intended meaning is that my friends want to let me know that they will be at the pub whether my business takes me their way or not. They will be at the ale house. If I happen to be in the area, I can join them. The problem with this type of sentence is not grammatical; it’s semantic. The part of the thought process that is conditioned by the if-clause is missing. The error, actually an omission, can be fixed quite easily: â€Å"If you happen to be in the area, remember that we will be at Meehan’s Ale House. So stop on by.† Other instances of this kind of error: â€Å"If you are new to my blog, I post a poll every month†¦.† should read, â€Å"If you are new to my blog, I have to catch you up: I post a poll every month.† â€Å"If you have not already seen the new Tim Burton movie, it really is something!† should read, â€Å"If you have not already seen the new Tim Burton movie, let me tell you: it is really something.† However, â€Å"if† does not strike me as the most precise word choice here. I would suggest, â€Å"Assuming that you have not already seen†¦.† â€Å"If you have ever seen xyz movie, that’s what our vacation was like.† should read, â€Å"If you have ever seen xyz movie, you can imagine our vacation† â€Å"If youre interested in xyz product, half of the payment is due by April 30th.† I doubt that the price is conditional on your interest. Despite my personal lack of interest, for the rest of the people who have decided or will decide to purchase it, half of the payment is probably still due by April 30. Thus, it should read, â€Å"If youre interested in xyz product, you need to know that half of the payment is due by April 30th.† Here again I would choose â€Å"in case† or â€Å"assuming/supposing that† instead of â€Å"if.† While the above sentences are perfectly understandable to colloquial speakers of the English language, non-native speakers may stumble. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Grammar category, check our popular posts, or choose a related post below:50 Handy Expressions About HandsOn Behalf Of vs. In Behalf OfThe Two Sounds of G

Storming of the bastille

Storming of the bastille In July 14, 1789 , the French populous exercised first its domination on the government. The Bastille was an old fortress that served like a state prison. The French people despised the Bastille because it represented all that they hated about the French government: it was a symbol of the unlimited power of the government, and was rumoured to be so by the stories of the torments and the beatings that prisoners received.French etching from 1789 depicting the storming of...In that day in July, a rumor had circulated that troops would be sent to the national Assembly. A crowd of people surrounded the Bastille. These people that took this action were some of the most skillful tradesmen and merchants, not just beggars that sought a little more money. Although these were respectable people that place the place, they did not have the media to carry it was, and this was the exact purpose to take the Bastille. If the rumors were true of the King that throws to troops to be separated the Natio nal Assembly, the citizens needed some way to defend to itself. The Bastille contained tubes, muskets, and the gunpowder -what the citizens needed.The multitude did the initial demands to assure the weapons in its own possession and to dismantle the tube that was indicated toward outside toward the citizens. Inevitably, the multitude left hand, and the to fight began. The majority of the citizens did not they have none arms to fight with, and with some muskets had, but nothing to shoot of them, so several copies were utilized, the very popular one was a combination of nails and gunpowder. The citizens descended one of the movable bridges and they began to assault in and to force the other down also. The veterans harbored in the Bastille threw a surrender,

Native American Stereotypes in Film and Television

Native American Stereotypes in Film and Television The 2013 remake of â€Å"The Lone Ranger,† featuring Native American sidekick Tonto (Johnny Depp), renewed concerns about whether the media promotes stereotypical images of Native Americans. In film and television, American Indians have long been portrayed as people of few words with magical powers. Often the Indians in Hollywood are dressed as â€Å"warriors,† which perpetuates the notion that Natives are savages. On the other hand, Native American women are depicted as beautiful maidens sexually available to white men. Collectively, the stereotypical images of American Indians in Hollywood continue to influence public perception of this racial group. Beautiful Maidens While the media often portrays Native American men as warriors and medicine men, their female counterparts are typically portrayed as beautiful Indian maidens. There is the maiden on the cover of Land O’ Lakes butter products, Hollywood’s various representations of  Ã¢â‚¬Å"Pocahontas† and Gwen Stefani’s controversial portrayal of an Indian princess for No Doubt’s 2012 music video for â€Å"Looking Hot.† Native American author Sherman Alexie tweeted that with the video No Doubt turned â€Å"500 years of colonialism into a silly dance song and fashion show.† Representations of Native American women as â€Å"easy squaws† have real-world consequences. American Indian women suffer from high rates of sexual assaults, often perpetrated by non-Native men. According to the book Feminisms and Womanisms: A Women’s Studies Reader, American Indian girls are also often subjected to derogatory sexual comments. â€Å"Whether princess or squaw, Native femininity is sexualized,† writes Kim Anderson in the book. â€Å"This understanding finds its way into our lives and our communities. Sometimes, it means constantly having to fend off the advances of people with an appetite for the ‘Other.’ It may involve a continual struggle to resist crass, sexualized interpretations of one’s being†¦Ã¢â‚¬  Stoic Indians Unsmiling Indians who speak few words can be found in classical cinema as well as in cinema of the 21st century. This representation of Native Americans paints them as one-dimensional people who lack the full range of emotions that other groups display. Adrienne Keene of the Native Appropriations blog says that portrayals of indigenous peoples as stoic can largely be traced to the pictures of Edward Curtis, who photographed American Indians in the late 19th and early 20th centuries. â€Å"The common theme throughout Edward Curtis’s portraits is stoicism,† Keene explains. â€Å"None of his subjects smile. Ever. †¦To anyone who has spent any time with Indians, you know that the ‘stoic Indian’ stereotype couldn’t be further from the truth. Natives joke, tease, and laugh more than anyone I know- I often leave Native events with my sides hurting from laughing so much.† Magical Medicine Men Like the â€Å"Magical Negro,† Native American males are often portrayed as wise men with magical powers in film and television shows. Usually medicine men of some sort, these characters have little function other than to guide white characters in the right direction. Oliver Stone’s 1991 film â€Å"The Doors† is a case in point. In this film about the famed rock group, a medicine man appears at key moments in Jim Morrison’s life to shape the singer’s consciousness. The real Jim Morrison may have really felt that he connected with a medicine man, but his thinking was likely influenced by Hollywood depictions of American Indians. In all cultures, there have traditionally been individuals with an impressive knowledge of the healing qualities of plants and herbs. Yet, Native Americans have been portrayed in film and television time and time again as medicine men who have no other purpose but to rescue hapless white people from harm. Bloodthirsty Warriors In films such as â€Å"The Last of The Mohicans,† based on James Fenimore Cooper’s book of the same name, there is no shortage of Indian warriors. Hollywood has traditionally portrayed Native Americans as tomahawk-wielding savages thirsty for the white man’s blood. These brutes engage in barbaric practices such as scalping and sexually violate white women. The Anti-Defamation League has attempted to set this stereotype straight, however. â€Å"While warfare and conflict did exist among Native Americans, the majority of tribes were peaceful and only attacked in self-defense,† the ADL reports. â€Å"Just like European nations, American Indian tribes had complex histories and relationships with one another that sometimes involved combat, but also included alliances, trade, intermarriage and the full spectrum of human ventures.† As the character, Thomas-Builds-the Fire notes in the film â€Å"Smoke Signals,† many First Nations peoples have no history of being warriors. Thomas points out that he came from a tribe of fishermen. The warrior stereotype is a â€Å"shallow† one the ADL asserts, as it â€Å"obscures family and community life, spirituality, and the intricacies inherent in every human society.† In the Wild and on the Rez In Hollywood films, Native Americans are typically found living in the wilderness and on reservations. In reality, considerable numbers of First Nations peoples live off the reservation and in major U.S. cities. According to Washington University in St. Louis, 60 percent of the Native American population lives in cities. The U.S. Census Bureau reports that New York, Los Angeles, and Phoenix boast the largest populations of Native Americans. In Hollywood, however, it’s rare to see an aboriginal character living in a metropolitan area.

Women and Leadership Case Study Example | Topics and Well Written Essays - 750 words

Women and Leadership - Case Study Example Promotion to the highest rank positions happens rarely in the modern America. 3% of Fortune CEOs is occupied by women, but they are promoted for occupying middle-rank positions and management professions. 3) Development of a more androgynous type of leadership is required. Women should be released from lower-level and lower-authority leadership positions and has equal opportunities for further promotion. Gender diversity of the organization leads to its financial benefits1. 4) Understanding different components of labyrinth will facilitate a process of understanding between male and female employees. There are three main differences in explanation of gender differences between men and women. Firstly, there is a human capital difference. Women are supposed not to contribute much to their education and training. However, women obtain undergraduate degrees more often than men. Secondly, there are prejudices about gender differences, explaining a gap in leadership by claiming that men and women are different by nature. 1) Lori encounters a â€Å"ceiling barrier†, which means that women cannot be promoted only because they are women! This case study illustrates a typical situation of men’s behavior to women: they do not think that women are able to be promoted to higher positions and they just do not understand some matters the way men do. 2) They should have greeted her, then ask her opinion about game and then listen to her creative ideas attentively. Basically, Lori was captured in leadership labyrinth and it was very difficult for her to give her ideas to someone else. Her colleague stole her ideas and she could do nothing about that. 3) She should have drawn attention of her colleagues and insist on her opinion. Her innovative ideas were very important in the future, that is why she had to fight for them with all her heart. It